
Q Lazzarus - Goodbye Horses EP
At long last, Q Lazzarus says hello to Dark Entries.
Q Lazzarus is the moniker of Diane Luckey, born in New Jersey in 1960. While living in the East Village in New York City in the 1980s, Diane met songwriter Bill Garvey at a party and they recorded âGoodbye Horsesâ in his home studio. As the story goes, Luckey met Hollywood director Jonathan Demme when she picked him up in her taxi during a snowstorm in 1986. Demme was wowed by her demo tape, which was playing in the cab, and they ended up hanging out at a restaurant for hours talking about life and music. âHe liked it so much, I gave him the tape I was listening to, he said he would call me for one of his movies, but I didnât really take it seriously.â said Luckey. Demme would have the song âGoodbye Horsesâ first appear in his offbeat comedy Married to the Mob, and then again more memorably in Silence of the Lambs when Buffalo Bill changes into womenâs clothing while drowning out his intended victimâs pleas with loud music. Despite the exposure, both Luckey and Garvey languished in relative obscurity. âGoodbye Horsesâ is the definition of a cult classic, an ethereal tearjerker driven by Garveyâs lush synth work and Luckeyâs unmistakably powerful voice. Garvey says, "the song is about transcendence over those who see the world as only earthly and finite."
Over 15 years of effort have gone into the making of this release. All five songs on this record were previously unreleased and are sourced from original master tapes. The extended version of âGoodbye Horsesâ was newly mixed from the original stems by Alberto Hernandez at Fantasy Studios. Instrumental and acapella versions of the song are included, which are also available for the first time. Side B opens with âHellfire,â a brooding number about the New York BDSM nightclub of the same name, showcasing the range and force of Luckeyâs voice. âSummertimeâ follows, with a sauntering synth-reggae spin on the 1937 George Gershwin number. Both B-side tracks are also new mixdowns and edits from the original stems.
This record is released alongside Eva Aridjis Fuentesâs documentary on Q Lazzarus, Goodbye Horses: The Many Lives of Q Lazzarus, a work chronicling the life of the enigmatic Luckey. It is an opportune moment to reflect on the under recognized artists we have lost and the undeniable brilliance of both Diane Luckey and William Garvey.
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Description
At long last, Q Lazzarus says hello to Dark Entries.
Q Lazzarus is the moniker of Diane Luckey, born in New Jersey in 1960. While living in the East Village in New York City in the 1980s, Diane met songwriter Bill Garvey at a party and they recorded âGoodbye Horsesâ in his home studio. As the story goes, Luckey met Hollywood director Jonathan Demme when she picked him up in her taxi during a snowstorm in 1986. Demme was wowed by her demo tape, which was playing in the cab, and they ended up hanging out at a restaurant for hours talking about life and music. âHe liked it so much, I gave him the tape I was listening to, he said he would call me for one of his movies, but I didnât really take it seriously.â said Luckey. Demme would have the song âGoodbye Horsesâ first appear in his offbeat comedy Married to the Mob, and then again more memorably in Silence of the Lambs when Buffalo Bill changes into womenâs clothing while drowning out his intended victimâs pleas with loud music. Despite the exposure, both Luckey and Garvey languished in relative obscurity. âGoodbye Horsesâ is the definition of a cult classic, an ethereal tearjerker driven by Garveyâs lush synth work and Luckeyâs unmistakably powerful voice. Garvey says, "the song is about transcendence over those who see the world as only earthly and finite."
Over 15 years of effort have gone into the making of this release. All five songs on this record were previously unreleased and are sourced from original master tapes. The extended version of âGoodbye Horsesâ was newly mixed from the original stems by Alberto Hernandez at Fantasy Studios. Instrumental and acapella versions of the song are included, which are also available for the first time. Side B opens with âHellfire,â a brooding number about the New York BDSM nightclub of the same name, showcasing the range and force of Luckeyâs voice. âSummertimeâ follows, with a sauntering synth-reggae spin on the 1937 George Gershwin number. Both B-side tracks are also new mixdowns and edits from the original stems.
This record is released alongside Eva Aridjis Fuentesâs documentary on Q Lazzarus, Goodbye Horses: The Many Lives of Q Lazzarus, a work chronicling the life of the enigmatic Luckey. It is an opportune moment to reflect on the under recognized artists we have lost and the undeniable brilliance of both Diane Luckey and William Garvey.












